We are happy to announce our incoming MFA cohort for fall 2014!
Please welcome writers: D. Allen, Jonathon Atkinson, Carolyn Byrne, Jonathan Damery, Megan Gette, Roy Guzman, Jackie Hilgert, Wei Chung Hsu, Veronica Kavass, Matthew Taylor, Jordan Thomas, and Tim Zila.
We look forward to working with them!
Victoria Scher will be teaching a CNF course called the "Travel Writer" at the Loft this summer.
Scott Parker's work can be found: in here (chapbook, Monkey Puzzle Press), Conversations with Ken Kesey (University Press of Mississippi), "Colored White" (essay, Sport Literate), and "Cougar Dreams" (essay, Clackamas Literary Review).
Kendra Atleework’s essay “Charade” was selected as a winner for the 2014 Intro Journals Award, and is forthcoming in Hayden’s Ferry Review.
Elisabeth Workman’s ULTRAMEGAPRAIRIELAND is available for pre-order! TERRORISM IS WHAT WHALE, a poetry collaboration with Michael Sikkema, will be released by Grey Book Press in March. Recent prose, poems, and/or collaborations are forthcoming in Finery,Third Rail, Gesture, Stolen Island, and ON Contemporary Practice.
Carrie Lorig has reviewed Danniel Schoonebeek's book, American Barricade, at Entropy. A review of Steven Karl's Dork Swagger is forthcoming from The Southeast Review. An essay, "Myung Mi Kim, Poetic Circulatory Systems, and the Un-binding of Sense-Making / Sense Forcing," will be included in Despite the Possible: Fifteen Women Poets (University of Akron Press). A poem is forthcoming from Big Lucks.
Katie Rensch collaborated with U of M graduate film artist Jes Reyes to co-produce the video essay "A Mind of Winter." The moving image and essay will debut at The Southern Theater in Minneapolis in a July film festival.
Emily Bright (2008)'s radio feature "How Being a Poet Prepared Me to Be a Mother" was aired this month on the program Michigan Writers (Interlochen Public Radio) and on WXPR as part of their "Poets on Poetry" series. Find it here: http://wxpr.org/post/poets-poetry-how-being-poet-prepared-me-be-mother
Mike Rollin (2007) has recent poems published or forthcoming in Water~Stone, POOL, and On the Commons. He also had a poem selected for “Arrivals & Departures at St Paul’s Union Depot,” a 3D poetry film installation that will be projected on the facade of the Union Depot during this fall's St. Paul Art Crawl.
Ethan Rutherford (2009) won a Minnesota Book Award for his collection The Peripatetic Coffin and Other Stories.
Norah Labiner (1996)’s novel Let the Dark Flower Blossom (Coffee House Press, 2013) was nominated for a 2014 Minnesota Book Award.
Chrissy Friedlander (2013) and Opal C. MCarthy (2011) both have fiction forthcoming in the Spring 2014 issue of The Pinch.
Edward McPherson (2011) has a story in the Gettysburg Review.
Holly Vanderhaar's (2010) essay, "Surrender," is a finalist for Creative Nonfiction's upcoming anthology of nonfiction Oh, Baby: True Stories About Tiny Humans.
Francine Marie Tolf (2006) has recently published a prose chapbook with Green Fuse Poetic Arts Press of Loveland, Colorado entitled "Shadow Town: Essays on Growing Up in Joliet, Illinois." She has also been nominated for a Pushcart Prize for her essay, "Sheeba at Twenty.”
Julie Schumacher has a story in the current issue of Epoch magazine. She also sold her novel-in-progress, an academic satire provisionally entitled Dear Committee Members, to Doubleday. Her essay “Canyon,” published in Brain, Child magazine, has been nominated for a Pushcart Prize. Her essay “The Gristmill of Praise” was published by the Chronicle for Higher Education.
Ray Gonzalez's poetry and work as an anthologist is discussed in a chapter of Broken Souths: Latina/o Poetic Responses to Neoliberalism and Globalization by critic Michael Dowdy (University of Arizona Press). His poetry is forthcoming in 99 Poems for the 99 Per Cent, edited by Dean Rader (University of San Francisco). It also appears in the newly released New Border Writing (Texas A&M University Press) and The Cutbank Poetry Anthology: Best of 50 Years (University of Montana). His work is forthcoming in MiPOesias, Writing Disorder, The Soft Machinist, Malpais Review, The Bitter Oleander, and Caliban.
Peter Campion's third collection of poetry, El Dorado, is now out from the University of Chicago Press in fall 2013. Read the jacket copy review in the LA Times Poetry Shelf.
Charlie Baxter's story "Charity," which appeared in McSweeney's and which will also appear in his forthcoming collection, will be included in the Best American Short Stories 2014 edited by Jennifer Egan and Heidi Pitlor. His story "Bravery," first published in Tin House, appeared in Best American Short Stories 2013, edited by Elizabeth Strout. His essay, "What Happens in Hell," first published in an issue of Ploughshares edited by Patricia Hampl, will appear in Best American Essays 2013, edited by Cheryl Strayed. Charlie Baxter has also sold his new book, There's Something I Want You to Do, to Pantheon/Vintage. The book is a kind of decalogue, with five stories about virtues (Bravery, Loyalty, Chastity, Charity, and Forbearance) and five about vices (Lust, Sloth, Avarice, Gluttony, and Vanity).
Patricia Hampl was honored with the Dr. Matthew Stark Civil Rights and Civil Liberties Faculty Award April 17 at the College of Liberal Arts' Celebrate Faculty Excellence ceremony. The award recognizes Professor Hampl's distinguished writing, teaching, and service in this area, including her work establishing the Scribe for Human Rights Fellowship, which supports an MFA creative writing student working with the Human Rights Program as a writer-in-residence.
Madelon Sprengnether’s review of Alison Bechdel’s Are You My Mother: A Comic Drama is in press at the International Journal of Psychoanalysis. Her essay “Literature and Psychoanalysis” is forthcoming in the Routledge Handbook for Psychoanalysis in the Humanities and Social Sciences (2104). She served as a discussant for a paper by Gloria Levin titled “Haunted by Absence: The Transgenerational Roots of a Mother’s Projection, for the Minnesota Psychoanalytic Society and Institute, and co-organized a public lecture by Professor Jeffrey Prager, UCLA, titled “The Intergenerational Transmission of Trauma: Recovering Humanity, Repairing Generations.” Her memoir, Great River Road: Memory, Aging and Reconciliation, will be published by New Rivers Press in Fall 2014.
7 pm, Wednesday, March 26, Weisman Art Museum
David is the founder and president of The Attic Institute, a haven for writers in Portland, OR. He's a contributor to American Poetry Review, Parnassus, Poetry, Slate, The New York Times Book Review, and The New Republic. Since 2002 he has been the columnist on poetry for The Oregonian. In 2005 he was named editor of Poetry Northwest. In 2008, he became a contributor to Politico‘s Arena, a cross-party, cross-discipline daily conversation about politics and policy among current and former members of Congress, governors, mayors, political strategists and scholars.
David Baker and Page Hill Starzinger
7 pm, Thursday, April 10, Weisman Art Museum
Page Hill Starzinger lives in New York City. She has worked as Copy Director at Vogue and Estee Lauder, and is currently Creative Director for Copy at Aveda. Her poems have appeared or are forthcoming in Colorado Review, DENVER QUARTERLY, FENCE, Kenyon Review, Pleiades, Literary Imagination, VOLT, and many others. Her poem, "Series #22 (white)," was chosen by Tomaz Salamun for a broadside created by The Center for Book Arts, NYC, in 2008. Her chapbook, Un-Shelter, selected by Mary Jo Bang as winner of the Noemi Contest, was published in 2009. She is the author of VESTIGIAL (Barrow Street Press, 2013).
Among David Baker’s fourteen books are his most recent poetry collection, Never-Ending Birds (2009, W. W. Norton), winner of the 2011 Theodore Roethke Memorial Poetry Prize, and Talk Poetry: Poems and Interviews with Nine American Poets (2012, Arkansas). For his work, Baker has been awarded fellowships and grants from the John Simon Guggenheim Memorial Foundation, National Endowment for the Arts, Poetry Society of America, Ohio Arts Council, Society of Midland Authors, and others. He currently serves as Professor of English at Denison University where he holds the Thomas B. Fordham Chair of Creative Writing.
4:30 pm, Wednesday, April 30, Lind Hall 50S Suite
Gerald is Distinguished Professor Emeritus of American Studies at the University of New Mexico. He is the author of more than twenty books on native histories, critical studies, literature, and poetry including The People Named the Chippewa, and Manifest Manners: Narratives on Postindian Survivance.
7 pm, Thursday, October 3, University of Minnesota Bookstore.
Saturday, October 12, cosponsored with RainTaxi, reading at the Twin Cities Book Festival, State Fairgrounds, time TBA
7 pm, Tuesday October 15, location TBA, Esther Freier Lecture Series
7 pm, Thursday, November 7, Weisman Museum
7 pm, Tuesday, November 19, Weisman Museum. Cosponsored with the Humphrey Center and the School of Journalism.
***Check the the Rain Taxi calendar for more local literary events.***